“Charleston Green is a charming and clever novel…. Eminently readable and quietly inventive, the novel’s unusual tone casts a lingering spell.” —BookLife, 2020 Quarter Finalist in Fiction

If Tipsy Collins learned one thing from her divorce, it's that everyone in Charleston is a little crazy—even if they're already dead.

Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she's always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes some ghosts won't be ignored.

Till death do us part didn't pan out for Jane and Henry Mott, who've haunted the house for nearly a century. Tipsy's marriage was downright felicitous when compared to Jane and Henry's ill-fated union. Jane believes Henry killed her and then himself, and Henry vehemently denies both accusations. Unfortunately, neither phantom remembers that afternoon in 1923. Tipsy doesn't know whether to side with Jane, who seems to be hiding something under her southern belle charm, or Henry, a mercurial creative genius. Jane and Henry draw Tipsy into their conundrum, and she uncovers secrets long concealed under layers of good manners, broken promises and soupy Lowcountry air. Living with ghosts, however, takes a toll on her health, and possibly even her sanity. As she struggles to forge a new path for herself and her children, Tipsy has a chance to set Jane and Henry free, and release the ghosts of her own past.

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Awards:

2021 Annie McDonnell Memorial Literary Award Finalist

2020 Chanticleer International Book Awards Finalist for Paranormal Division

2020 Publisher's Weekly BookLife Prize Quarter Finalist for Fiction

2020 Readers' Favorite Book Awards Silver Medalist for Paranormal Fiction

More Reviews:

“An enchanting novel of a woman finding her way out of a midlife (and mid-death) crisis…. [In Charleston Green], Alexander blends the warm humor of her characters with balmy descriptions of her Southern gothic setting.” —Kirkus

“…Stephanie Alexander has crafted a delightfully cozy mystery that, despite not being without peril, is a fun and pleasurable read…. There’s an intriguing puzzle to be solved, as well as life lessons to be learned, and it’s very entertaining to follow the escapades of the various characters, both alive and dead.” —Manhattan Book Review

“Stephanie Alexander does an outstanding job of not only outlining a mystery and the dilemma of a psychic who would rather not imbibe in the problems of the afterlife as she faces her own relationship and family dilemmas, but who finds her own psyche buffeted by too many emotional entanglements….  [Audiences] will find Charleston Green a thoroughly engrossing saga.” —Midwest Book Review

“Charleston Green is a highly entertaining and enjoyable read for fans of women’s fiction; a cozy clairvoyant mystery and family saga.” —Readers’ Favorite

“Charleston Green is the perfect read for summer.”  —San Francisco Book Review

“This southern tale of love and loss, life and death, and intricate family dynamics is like a taste of fried green tomatoes with a side of sweet tea, while sitting on the porch’s joggling board painted a deep Charleston Green.” —BookTrib

“Impressively original and solidly entertaining from beginning to end, Charleston Green showcases author Stephanie Alexander’s genuine flair for deftly crafted fantasy fiction that will completely engage the reader’s full and appreciative attention.” —Small Press Bookwatch

"…once I started reading Charleston Green by Stephanie Alexander, I was captivated. This novel leaves the reader entranced; the writing is skillful and clever and funny. I highly recommend this book." —New York Times bestselling author Elin Hilderbrand

"With humor, heart and a heaping helping of Southern Charm, Charleston Green brings an entirely new meaning to the term 'unwanted house guests.' Tipsy is a lovable, flawed, complex heroine that readers will root for from the first page to the last-and pitch-perfect storytelling will leave fans begging for a sequel. This is Stephanie Alexander at her best!" —USA Today bestselling author, Kristy Woodson Harvey

Author Bio:

Stephanie Alexander is a writer and a family law attorney. She lives in Charleston, South Carolina, with her husband, their blended family of five children, and their miniature dachshunds, Trinket and Tipsy.

Book Excerpt:

Chapter 1

If Tipsy learned one thing from her divorce, it’s that everyone in Charleston is at least a little crazy— even if they’re already dead.

She had to move into Miss Callie’s place to figure out that the dead carry on like the living do. She almost always ignored dead people, because early experience had proven that if she paid any bit of attention to them, they became a straight up nuisance. When she met Jane and Henry Mott, Tipsy had to stop avoiding and start listening. Some ghosts refuse to be ignored.

She wasn’t worried about ghosts on moving day. She was thinking how damn lucky she was to be moving into Miss Callie’s house, rent free. By the time the movers cleared out at five o’clock, she was done in. Even the house seemed wiped out, and it hadn’t done anything but sit there since the 1890s. Thank goodness it was Ayers’s weekend with the kids; she couldn’t have handled them running in and out and rustling through boxes. The whole crew, Ayers and all three children, had stayed with his parents for the weekend to avoid the chaos. Ayers had moved out six months ago, and now with Tipsy moving to Miss Callie’s and him returning to their old house, she felt like she was in a game of musical domiciles. She had trouble remembering where anyone lived.

She carried the last box, the one containing Mary Pratt’s American Girl dolls, through the white picket fence and up the porch stairs to the double front doors. Miss Callie’s tea roses had run amuck since she passed on. The June sunshine woke the yellow blossoms, and they reached for Tipsy through the banister. Ayers’s brother-in-law Jimmy had offered Tipsy this temporary solution to her housing problem.

Jimmy’s mother had recently died, and he was happy to let Tipsy move into Miss Callie’s place and look after it for a time. She made a mental note to rein in those rebellious flowers once she got settled. Tipsy hadn’t known Miss Callie too well, but she certainly owed her now. Her status as honorary caretaker would give Jimmy time to fix things up before selling the place, and buy Tipsy precious months to figure out her increasingly unpredictable life. She planned on earning her keep in the meantime.

Tipsy took the winding staircase to the second floor for the hundredth time that day. She couldn’t help but compare this crumbling yet palatial house in the Old Village of Mount Pleasant—one of the most elegant neighborhoods in the Lowcountry, a place legendary for all things refined—with her grandmother’s four-room 1950s rancher in the upstate town of Martinville. She grew up at the end of a dirt driveway. The nearest body of water: the aboveground swimming pool behind the neighbor’s doublewide trailer. Now, her neighbors across the street sipped cocktails on their docks and watched the sunset over the harbor. On the other side of the Ravenel Bridge, the Charleston skyline wiggled through humid air. Bronze crosses grabbed at the sky, the Episcopalians trying to reach God before the Presbyterians. She could hear her Granna’s voice: My Tipsy, ain’t you all fancy now.

Shush, Granna, Tipsy thought. Not too fancy in the bank account department at the moment. Besides, this place has seen better days.

Tipsy dropped the box of dolls in the twins’ bedroom. They grinned at her, reminders of the days when she and Ayers had casually doled out hundreds of dollars on smiling plastic little girls. She transferred her hands to the small of her back.

Glass of tea, sugar? Granna’s voice rose in her mind again. Granna and she had shared that strange affinity for the dead, so although Granna herself was many years gone, Tipsy still sometimes heard the voice that had steered her through her haphazard childhood. Truth be

told, at times Granna resonated clearer than living people, with their yammering on about this or that. She didn’t tell anyone this, of course, because that would qualify her own mental church as infested with a bad case of the batshit crazies. 

Bats and belfries aside, Granna’s voice had a good idea. As Tipsy backtracked down the narrow hallway she ran her hands over accent tables and the random chairs elderly people always place in spots where no one ever sits. Heavy wood and dark reddish upholstery in velvets and satins had an old-plantation-house kind of prettiness. While the mustiness made her nose itch, the well-worn furniture made the place homey. She hadn’t wanted to take much of the furniture in her old house. Ayers had picked all of it, and he preferred stark modern styles. Made no sense for a hunting-and-fishing boy like him to have the aesthetic of an effete New York theater director, but that was Ayers. A study in contradictions.

Tipsy avoided her passing reflection in the glass covering Miss Callie’s framed Duck Stamp prints. She let her long hair down from its too tight ponytail and rubbed her sore scalp.

That hair. Not blonde. Not brunette. Granna’s sniffing laughter. So sweaty dark it looks like you had a run in with the wrong shade of L’Oreal. Like thirty-four years of hard livin’!

Thanks, Granna.

Oh, come now. You know I’m teasing. You’ve barely changed since seventeen. Who’ d know you had three kids? But damnation, you need some of that Botox! You got my worrying brow.

You’re biased, and then out loud, “Got to grow old gracefully.”

“Is someone there?”

That shrill voice shot out of one of the guestrooms and knocked Tipsy sideways. Her ankle rolled. As she fell, she grabbed one of Miss Callie’s antique porcelain lamps. She hit the Oriental rug with a thud. The three cavorting cherubs on the lamp reached out to her in sympathy. She thanked god those expensive little dudes were still in one piece.

Tipsy stood and rotated her foot until most of the pain dissipated up her leg. She peered into the cheery little room, with its yellow wallpaper and accent pillows in the shape of lemons and cherries. A woman sat on the four-poster bed. While she appeared to be about Tipsy’s age, her tiny bare toes didn’t reach as far as the lace bed skirt. Her pale, almond-shaped eyes stared into Tipsy’s with startled curiosity, like a Siamese cat who unexpectedly found itself pinned down by the tail.

The woman jumped to her feet, buried her face in her hands and sobbed. She wore a sleeveless lavender dress with a dropped waist and a multi-layered lace hemline that ended below her knees. Her skin was translucently white, her hair black. Tipsy’s initial assessment had classified the women’s coiffure as a messy up-do, but her fidgeting revealed it to be a disheveled bob.

She whimpered with no break to gasp for air. It was too repetitive, too staccato. She wrapped her thin arms around herself. The edges of her dress smudged and faded and solidified again as she swayed. The fading spread from her clothes to her hair to her skin.

She’s dead, Tipsy thought. She doesn’t need to draw breath.

As a child, suffering from her own loneliness and tired of finding friendships in storybooks, Tipsy would speak to a ghost here or there, although most of them had lost their senses over time, like the teenage girl who haunted Martinville’s single public park. She once caught Tipsy staring at her. She followed Tipsy, in her Little House on the Prairie garb, from the slide to the swings, begging Tipsy to help her find the family pig. By age ten, Tipsy had to swear off the park all together. It had been years since she made such a mistake, and not only because a ghost’s desperate jabbering could annoy the hell out of a person in a skinny minute. Granna had warned her that while most were harmless, there were a few who were anything but. In educating Tipsy about their mutual peculiarity, she emphasized downplaying its existence, for everyone’s benefit.

Something about this woman, though, made Tipsy pause. She reminded her of a little girl in the middle of some childish heartache. Grown women don’t cry so hard without a good reason. This one was producing enough tears to fill the River Styx, and being damn loud about it—and in the bedroom right beside Tipsy’s. Tipsy’d probably seen a hundred or more ghosts in her day. She’d run across them in places as predictable as the old Dock Street Theater— during a showing of A Christmas Carol, no less—and as random as the Mount Pleasant Whole Foods.

She’d never, however, lived under a roof with one, or tried to have a real, adult conversation with one. Tipsy wasn’t really sure how any of it worked, from a ghost’s perspective. Now suddenly, she and this lady were two chickens in the same coop. Tipsy would need to make her acquaintance sooner or later, if she didn’t want to have the bejesus scared out of her on a daily basis.

Besides, from the antiquated look of the ghost’s dress and hair, it appeared this had been her house a hell of a lot longer than it had been Tipsy’s. Tipsy wasn’t going anywhere, and this woman’s ghostly existence meant she wasn’t going anywhere either. Tipsy knew that much. The ghost couldn’t leave the house if she tried, bless her heart. Trapped as a blind and clawless kitten on a high tree branch. Compassion, practicality, and a smidge of plain old curiosity overrode Granna’s deeply entrenched wisdom.

“Can I help you with something?” Tipsy asked. She raised her voice to be heard over the woman’s bawling.

The woman hugged herself tighter and rocked herself faster. “I can’t say I know how to reply. Perhaps I did once, but I’ve forgotten.”

Tipsy didn’t know anyone other than Granna who shared her talent, so opportunities to speak probably hadn’t come this woman’s way too often. She tried a different route. “I should have introduced myself. My name is Tipsy Collins. Sorry if I startled you, but I didn’t expect to find a ghost crying in the spare bedroom.”

The woman’s fingers twirled among themselves, as if she were knitting an invisible scarf. She sniffed and went solid. Aside from her pallor, she didn’t look particularly dead. “Tipsy? Is that a French name?”

“No. My real name is Tiffany Lynn. Tiffany Lynn Denning, now Collins. The pastor’s son couldn’t say Tiffany when I was a baby. So I’ve always been Tipsy.” She waited for the ghost to make the usual alcoholic comment, before remembering she probably wasn’t familiar with booze-related slang.

“You can see me.” Still her fingers spun, as if she were raveling together fractured pieces of thought.

“Yes.”

That seemed enough of an explanation. “My name is Jane Mott. I was born a Robinette. The Robinettes of Water Street. My mother’s people came from the Old Cannon, on the Wando.” Jane ran both hands over her face, and giggled. She smoothed her hair a little too eagerly.

Uh, oh. Maybe I’ve popped the tab on a shook up can of Coke.

Too late, now, said the voice of Granna. She might be crazier than a stoned possum, but now she knows you can see her. You’re stuck with her.

Tipsy backed toward the door. She would only need three of the house’s six bedrooms. One for herself, one for her six-year-old twins, Mary Pratt and Olivia Grace, and one for her eight-year-old son, Ayers Lee Collins V. Maybe she’d be able to steer clear of this diminutive spirit. “I live here now,” Tipsy said. “So maybe we could, you know, mind each other’s space.”

The ghost’s mouth hung open, as if she needed a straw to draw meaning from Tipsy’s words.

“I guess I’ll see you sometimes,” Tipsy said, “but I’m usually really busy. So if I don’t chat—”

“I’m accustomed to being ignored.”

“Because no one sees you?” Again Tipsy felt the tug of sympathy.

“My husband ignores me. I ignore him. It’s to our mutual benefit.”

“Your husband is still alive?”

Jane looked at her with eyes as clear as Miss Callie’s best Waterford vase. “He’s just as dead as I am, Miss Tiffany-Tipsy.”

“Oh, of course,” said Tipsy, feeling slightly stupid. “Why do y’all ignore each other? It seems like a nice arrangement. Like a couples’ haunting?”

For someone who wants to mind each other’s space, you’re asking a lot of questions, said Granna.

Tipsy ignored her. Sometimes Tipsy and Granna ignored each other, too. It could get crowded with both of them inside Tipsy’s head.

“We don’t get on,” said Jane. “Haven’t gotten on in quite a spell of time.”

Tipsy found it odd to hear someone who appeared to be her own age speak in the soft drawl she associated with women of the grandmotherly sort, albeit rich Charleston grandmothers like the ones in Ayers’s family. Jane seemed to blink when a particular word needed emphasis. The combination of bobbed hair, batting blue eyes and fey voice was reminiscent of Betty Boop. “If I can be frank, Henry and I don’t get on at all.” Blink-blink!

Tipsy did some rough math in her head. The woman’s attire put her squarely in the 1920s category, like Downton Abbey, later seasons. “And you’ve been stuck in this house together for…ninety years?”

“Ninety-five.”

Tipsy thought of being trapped in a house for decades with only Ayers for company. She couldn’t bring herself to hate him now, despite the damage he’d dealt her over the past six months, but she damn sure would after a century. “That’s understandable. Marriage is only supposed to last ‘til death do you part. You’re not meant to keep at it for all eternity.”

“How can we possibly be congenial”—blink-pause-blink—“when he killed me?”

Boop-Boop-be-do! said Granna.

Tipsy sank into an antique chair. “Well, shit.”

Jane scowled, and she remembered that proper southern ladies probably didn’t drop the word shit very often in the 1920s. “Sorry. Wow, he did? How… or…” Is it polite to ask a ghost the details of her murder?

“Yes, he did. Although he still denies it.” Jane balled her hands into fists. “But I know he did it! And then he killed himself.” She hugged herself again and her black hair went smudgy. Tipsy saw right through her.

“Wait!” she said, and Jane returned to focus. “I’m moving my children into a house that’s haunted by a murderer?”

The air around her cooled as Jane crossed the space between them. Jane’s legs didn’t move fast enough to explain her momentum, but she came on just the same, as if the wood floor had turned into a flat airport escalator. A lemony scent overrode the dusty smell of Miss Callie’s antique quilt. Tipsy shuddered. She’d have had the same reaction if hands tipped a glass of lemonade down her shirt.

Granna! Tipsy thought as she stood. Is she one of the bad ones?

But Granna said nothing. Tipsy knew that if Granna had the answer, she’d give it. The thought brought her no comfort.

She took a step into the hall and Jane followed. “Henry will never admit to it,” the ghost said, with blinking ocular italics. “He won’t. But I know he did it.”

“Of course. I’m sure it was horrible—but I have to—”

Jane’s eyes filled with sparkly diamond tears. “Beg pardon. I’m frightening you.” The sobbing again. “I believe he did it. In my heart…” She buried her hands in her hair. “But oh, my soul, I can’t remember. I can never remember.”

And with that, Jane Mott disappeared.

…

Tipsy wasn’t keen to stay in the house that evening, but her girlfriends had been itching to check it out. So after a rushed tour, she sat on the late Miss Callie’s front porch with Shelby and Lindsey. She gripped a cold Bud Light in a koozie emblazoned with the cheerful message, “Joe and Julie, October 18th, 2013—Love is Always a Party!” Tipsy had never met Joe and Julie, but she’d somehow acquired this token of their undying love. She wondered if they were still partying five years later, maybe with a couple kids and a mortgage and Julie’s growing suspicions that Joe was shacking up with his assistant.

She took a long swig of beer and it stuck in her throat. I live in a house with a murdering ghost and his discontented, possibly deranged wife. Hey Julie, want to trade?

“And so there she is,” Shelby said, “standing out on the driveway at three in the morning. Drunk as Cooter Brown. Screaming up at his window. I know you’re in there, Glen! I know you’re in there! And all the neighbors opening windows—”

“Wait—what?” Tipsy asked. “You lost me.”

Shelby pursed her lips. “You’re worse than a man with one eye on ESPN and the other on this month’s Playboy.” She crossed her eyes, as if Tipsy and Lindsey needed a visual.

Tipsy had first laid eyes on Shelby Patterson during a sorority rush skit at Carolina. Shelby’s portrayal of Sandy from Grease was the stuff of legend in the Kappa Zeta house. Tipsy would never forget watching Shelby’s skillfully teased blonde hair float across the makeshift stage. Her skintight black pleather pants had accentuated the purposeful shaking of her voluptuous butt.

“Glen’s ex-wife,” said Shelby, “y’all know she hates me—”

“You hate her, too,” said Lindsey. Lindsey was always one for stating the obvious, but at least she gave Shelby her full attention. With her wide brown eyes and round face she resembled an early rising owl come to roost on the porch for Happy Hour.

Shelby sniffed loud enough to drown out the cicadas. “Hell, I don’t hate her. But she is a tramp—”

Movement at the other end of the porch caught Tipsy’s eye. Miss Callie’s joggling board bounced ever so slightly.

Did you invite Miss Jane to your girls’ evening? asked Granna.

Tipsy eyed the wooden contraption, just like the one Granna had kept on her own modest porch. No different from the boards she’d seen on umpteen South Carolina porches. Joggling boards were part lawn ornament and part outdoor furniture, a long single board with a dip in the middle, held up by two simple wooden pedestal ends. They had always reminded her of church pews without the back, or of saggy picnic table benches.

As a general gravitational rule, a joggling board didn’t bounce unless the weight of someone’s butt on the center plank made it bounce. Tipsy stared at the empty air above the board, but made out nothing beyond the haze of a summer evening punctuated by a few swirling no-seeums.

“Of course I was pissed. Who spends a whole Friday night with his ex-wife shooting at zombies?”

“Zombies?” Tipsy asked. Aren’t ghosts enough?

Lindsey rescued Tipsy once again. Shelby looked like she might scream at the next interruption. “Glen and his ex,” said Lindsey. “They took their son to paintball for his birthday. It’s zombie paintball.”

“Oh. He took his son. You can’t get angry.” Tipsy sipped her beer and glanced down the porch again.

A man sat in the middle of the joggling board, his elbows resting on his knees. He wore baggy tan pants and a white button down shirt. His bright red wavy hair suggested a failed attempt at flattering it with pomade. A man like that should have been pale all over. Instead, his dark eyes clashed with the rest of him. High cheekbones towered over a full, sensuous mouth. He was either one of the oddest looking men Tipsy had ever seen, or the handsomest.

“What are you looking at?” asked Shelby.

Tipsy cleared her throat. “The joggling board. It needs a fresh coat of paint.”

“Charleston green,” said Lindsey.

“Mmmm, hmmm.” Shelby squinted at the board and tilted her head. “Nice shade.”

Tipsy nodded. If she turned her head just right, so sunlight glanced off the board, the oily sheen of the paint revealed the true color. The green of a forest at midnight, under a full moon. “Probably hand mixed.”

“Hand mixing always makes the best Charleston green,” said Lindsey.

While most people wouldn’t have noticed the subtle tone, Tipsy, an artist; Shelby, an art dealer; and Lindsey, a part time but unusually talented interior designer, could pick it out from a mile away. Or at least from across the porch. “I could work up a batch once the kids are settled in—”

“Good lord, Tips, I’m trying to tell a story!” said Shelby. “I know the three of us can make a whole conversation out of mixing paint, but come on now.”

“I’m sorry,” said Tipsy. The man on the joggling board picked at the peeling paint, but no flecks of blackish green drifted to the floor below him.

“Pay attention. You’re about to send my train of thought off the rails and into a ditch.”

“I’ve just got a lot on my mind.” Tipsy got a peek at the yin and yang tattoo on Shelby’s right wrist before Shelby took her hand. Years ago, Tipsy had taken to tapping that black and white symbol when Shelby needed to be talked off an emotional ledge. Shelby’s ledges tended to be steep and high and loom over unyielding concrete and racing emotional traffic. The gesture had become part of their friendship’s long code. Come back to the light, sister.

Sometimes, though, life turned the tables on them. Shelby was her rock during the dark days after the twins’ birth, when sadness settled over her like a stalled low pressure system, soaking her in fear, worry, and inexplicable despair. While no challenge, before or since, equated with the emotional mêlée of postpartum depression, in the wake of her divorce, Tipsy was once again more of the sooth-ee than the soother.

“Honey, you must be so tired,” Shelby said. “Let me shut up about Glen, Sexy Fishing Charter Captain Extraordinaire.”

“That sounds like a better story than Glen, Possible Deadbeat Dad, and His Annoying Ex-Wife,” said Lindsey. “Besides, y’all have only been dating two months. Story can’t be that long.”

“You know with me it can be.” Shelby scooted closer to Tipsy on the wicker loveseat. “When is Ayers bringing the kids back?”

“Tomorrow afternoon,” Tipsy said. “I’ve got to set up their rooms.” She looked over her shoulder, but the redheaded man was gone.

“Y’all know I love to decorate!” Lindsey grinned and hopped to her feet. She wore obscenely tall platform wedges, despite Tipsy’s and Shelby’s flip-flops. Regardless, she barely reached Tipsy’s chin, and even Shelby could still look down at the top of her head.

“It shows,” said Shelby. “Your house is straight out of Architectural Digest.”

“Thanks, honey,” said Lindsey. “I had to get something out of my ex—that pathetic old goat!”

Tipsy laughed, and Lindsey joined her. She never minded being the butt of the joke, even after the intense public humiliation of her divorce from Barker Davies, one of the richest lawyers in town. Barker had left his first wife and kids for Lindsey. Ten years later, he had once again

traded in for a newer model, leaving Lindsey a single mom with one daughter, a huge house, a fat bank account, and a great attitude. Tipsy thanked the good lord Shelby had introduced her to Lindsey after she left Ayers. Lindsey’s positivity gave her hope.

“I might never have rustled up the nerve to leave him myself, so this new chick did me a favor.” Lindsey’s short blonde ponytail bounced. “Come on.”

Tipsy’s calves ached as she walked to the kitchen, the result of too many flights of stairs on Lowcountry legs unaccustomed to inclines of any sort. Lindsey called over her shoulder as she and Shelby headed upstairs: “Bring the beer to the nursery, Jeeves!”

Tipsy imagined the red headed man appearing in the doorway holding a levitating Yeti cooler and a butcher’s knife. She assumed him to be Jane Mott’s homicidal husband, Henry. Henry’s flat, dark stare hadn’t done anything to rouse the sympathetic curiosity that Jane had evoked.

By the time she reached the refrigerator, she’d squashed her burgeoning fear by donning the Armor of Mommy. Tipsy’s children needed more than pretty rooms. They needed stability. She wasn’t going to let a ghost risk their first opportunity at either in months.

Be careful, sugar, said Granna. You already caught the attention of one loony spirit. Knowing you, you’ll poke your head right into a Venus flytrap. You’re not sure what he’s capable of.

That’s what I need to figure out. And I will. Sooner over later.

Tipsy, that man killed his own wife.

What choice do I have? Tipsy grabbed hold of the perpetual panic that lurked in her stomach before it could poke her heart. It’s this or a friend’s couch and blow-up mattresses for the kids.

Ain’t that the truth. What if Ayers wants the kids full time? Or his parents do? asked Granna.

No way. My children will stay with me, and I’ll make a home for them. I will make this work.

Tipsy rose and fell on her toes to stretch her calves as she hunted through unfamiliar drawers for her Gamecock bottle opener. Tomorrow she’d go for a long run. She didn’t have tolerance for wobbliness in her limbs or her living situation.

She watched for signs of Henry as she popped the tops on three beers: her own Bud Light, Shelby’s Mich Ultra (always watching her carbs) and Lindsey’s Corona Light (always with a lime). She carried them up to the second floor landing, where Shelby and Lindsey were examining a table covered with old vases.

“What’s the latest with the ex-husband from hell?” asked Shelby.

“Okay, Shelby.” Tipsy handed over her beer. “That’s a bit extreme.”

“Screwing your wife out of her alimony qualifies as extreme to me.”

“Seriously,” said Lindsey. “Even Barker didn’t do me like that.”

“Ugh, y’all, I don’t want to talk about screwy South Carolina alimony laws.” Tipsy walked faster. “What’s done is done. He’s paying me child support—”

“Not enough to come close to getting y’all by.” Shelby gripped the skinny neck of a green vase as if she were choking it, or might knock someone upside the head.

“I know, but he’s having a really hard time. I’m trying to give him a break.”

“Whatever!” said Shelby. “He shouldn’t even expect you to speak to him, after what he’s done to you. Accusing you of adultery? When y’all weren’t even living together anymore?”

“We all know the laws in this state.” Tipsy had learned the ramifications of South Carolina’s unusually conservative divorce laws the hard way. “You date someone before you have a settlement agreement in place and it’s adultery. Ayers was depressed, and his lawyer talked him into it. And I left him. I don’t know what that feels like.”

“Jesus, Tipsy,” said Shelby. “Why are you defending him? You left him for a hell of a lot of reasons. You were intimidated by his ornery ass when you were married to him.” Shelby waved the vase in Tipsy’s direction. Lindsey swiped it out of her hand and rearranged all the vases in neat rows. “Now add feeling guilty to feeling scared,” said Shelby, “and it’s a recipe for disaster.”

Sometimes the truth can get under a person’s skin. Shelby didn’t sugarcoat anything, so her truth often came with a double dose of annoying. “I hear you, Shelby, but we have to get along for the kids.”

“Right, but you’re too nice. Ayers can go screw himself.” Shelby grinned. “I’ve been engaged three times and never married so I’m the expert on ending relationships.”

Lindsey stepped carefully over a stack of bubble-wrapped frames as Tipsy steered them into Little Ayers’s room. “Time to move on,” Lindsey said, “and we know who you need to move on with. Will Garrison.”

Tipsy opened a moving box near the closet door. Soccer trophies, a Carolina piggy bank, a few framed photos from Little A’s christening, and the antique toy cars her father-in-law had given him. The cars were heavy and cool in her hands. Solid craftsmanship, not like the flimsy Walmart specials that Ayers always bought. “Glen’s fishing buddy?”

“Yes! He and P.D. were roommates at the College of Charleston, and they grew up together in Beaufort, too. He’s handsome—”

“He didn’t seem very friendly.” She thought of the time she’d met Will Garrison in passing on the way out of a restaurant. He’d pretty much glared at her through a mumbled nice to meet you and good-bye.

“He’s so sweet, once you get to know him,” said Lindsey. “Wouldn’t it be fun? We can all hang out.”

“Hmmm,” Tipsy said. Lindsey’s boyfriend, P.D., was a gentle giant of a man who worshipped the ground she walked on, despite her post-marriage habit of philandering with the local college students. Tipsy trusted his good opinion. Glen’s, however…

Shelby clapped. “He’s a great dad, and he has a good job—”

“And good hair!” Lindsey tapped her head.

“Maybe. A little distraction can’t hurt, right?” She held Little Ayers’s old bunny in front of her chest like a tattered plush bridal bouquet.

Shelby reached over and hugged her, the embrace squashing the bunny between them. Little Ayers didn’t need it every night anymore, so Tipsy hadn’t sent it with his dad. For some reason the feel of that beloved toy against her best friend’s hug brought tears to her eyes.

“You think about it, sister,” said Shelby. “No hurry. Just think.”

Tipsy gave her a watery smile. As she wiped her eyes, a shiny black shoe and one trouser leg disappeared past the doorframe.

When that ghost comes calling, you might as well ask him to set awhile and chat. Tipsy could have sworn she felt Granna’s warm breath on the side of her neck. The smell of grits and apples and Prell shampoo. Memories like that returned to her, clear as day, at the most peculiar times. Sometimes they ran through her head like movies on a screen, or recordings of long past thoughts. The smells and sounds and tastes just as full and loud and flavorful as ever they were in the original.

When Tipsy was not long out of diapers, she’d seen a car hit a squirrel while she and Granna waited for a ride at the end of the state road. When she was eight, for no reason at all, the little creature’s death had come back to her in all its gory detail. Granna found her crying in her bedroom. She’d tried to explain the blood shooting across hot asphalt, and the thump of a tiny body against an uncaring tire. Granna had barely remembered the squirrel at all. She’d said, Sugar, maybe your talent serves you in other ways. Not just seeing ghosts. You find a way to use it.

The next day, Tipsy drew a picture of the squirrel’s demise instead of talking about it—much to the disturbance of her third grade art teacher. Drawing became her release, and then, as she discovered the comfort of a brush in her hand and a picture in her mind, she turned to painting. As the years rolled on, she stopped trying to explain the movie memories. That didn’t mean they stopped coming. 

Shop the Tipsy Collins series

“Haint Blue is a highly engaging paranormal mystery filled with frolic, fun, and genuine nail-biting moments as we race to its conclusion. The book is filled with charming and likable characters that will keep you invested throughout.… Stephanie Alexander gives us a really fresh take on the paranormal genre, setting this novel apart from others within the genre.” —Readers' Favorite, 2021 Gold Medalist for Paranormal Fiction

"Charleston's favorite ghost-talking divorcée returns in Alexander's latest supernatural mystery.… A well-told, deeply felt addition to a ghostly mystery series." —Kirkus 

Clairvoyant single mom Tipsy Collins is easing into a post-divorce new normal. She's solved a century-old murder mystery and brought peace to her house. She's rebuilding her artistic career and co-parenting with her ornery ex-husband. She's hopeful that her boyfriend is Mr. Right. Mercurial phantom Henry Mott still haunts her house, but he's become a dear friend. Tipsy plans to return to her lifelong habit of ignoring restless spirits.

A series of sudden financial and personal setbacks leave her feeling like she's back to square one, until a new friendship offers unexpected financial salvation. Ivy More has been haunting a Sullivan's Island cottage since the 1940s. Ivy's eccentric granddaughter, Pamella Brewton, will pay big bucks if Tipsy can figure out how to free her moody, volatile Meemaw. It turns out there was more to Ivy's death than a simple swan dive off the dock at low tide. To complicate matters, Ivy had a secret lover. Shockingly, he's someone Tipsy has seen before.

As Tipsy struggles with heartbreak, her ex-husband's shenanigans, and a growing sense of frustration with life, she turns to Henry for help solving Ivy's mystery. She finds herself learning from her brooding housemate, but also from Ivy, who has far more in common with Tipsy than either of them expect.

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Author Bio:

Stephanie Alexander is a writer and a family law attorney. She lives in Charleston, South Carolina, with her husband, their blended family of five children, and their miniature dachshunds, Trinket and Tipsy.

Book Excerpt:

Chapter 1

Almost two years after her ex-husband moved out, Tipsy Collins was still trying to figure out her life. She’d learned some handy lessons, for sure. When it comes to personal revelations, divorce is the gift that keeps on giving. For example, as her dating life collapsed around her like a house of unpleasantly prophetic tarot cards, she reached the liberating yet disheartening conclusion that she would never understand men, living or dead.

Like most women in their thirties, Tipsy had plenty of experience with the behavior of living men, but she only understood that dead men were just as flummoxing because she lived with one. After a lifetime of avoiding spirits, she’d inherited ghostly roommates when she had the good fortune to move into Miss Callie’s house in the Old Village of Mount Pleasant, across the Ravenel Bridge from Charleston. Thanks to her former brother-in-law’s generosity with his late mother’s home, she didn’t pay rent, but she had to share space with two cantankerous, kooky phantoms. Jane and Henry Mott hadn’t escaped their miserable marriage with ‘til death do us part, but with Tipsy’s help and the mystery of their century-old murder solved, Jane had done the sensible thing. She moved on. A year later, Henry still lingered in Ms. Callie’s house, as confounding as ever.

On this morning a few days after the Fourth of July, Tipsy brushed past him as she hustled her three children—Ayers, Mary Pratt, and Olivia Grace—out the door for camp. “Morning, Henry,” she said under her breath.

Henry sat at the dining room table. He whispered to himself as he wrote in the air with one pale finger. His dark blue eyes followed his imaginary penmanship. Bright red, tousled hair hung in his face. He smiled, as if he’d just noticed Tipsy wrestling her three boisterous kids into submission in the foyer. “Good morning, Miss Tipsy,” he said, “Where are y’all off to today?”

Dropping them at summer camp. Tipsy spoke in her mind. Henry would hear her as clearly as if she hollered through a bullhorn.

“Of course! How could I forget? I apologize, but this chapter of THE GREAT STORY is terribly demanding of my attention.” Even when he was grinning like a fox in the early stages of rabies, Henry cut a dashing figure at Ms. Callie’s antique mahogany table. In the age of kitchen islands, such edifices of formal meals were going the way of the flip phone. Meanwhile, neither Henry nor the furnishings had changed much since he died in 1923.

Which chapter now? Tipsy asked, although she pretty much knew the answer. Henry was compiling his mysterious magnum opus at a speed approximating that of a drunk slug crawling up a slippery wall.

“I’m nearly finished with chapter two!”

Another voice rose in Tipsy’s mind. Her Granna, who had died years ago but shared her talent for seeing the dead and hence some of her headspace, spoke up with her usual country forthrightness. It’s taken him a year to finish two chapters, said Granna. He wants you to transcribe for him, but you’ll have joined me in the afterlife before he’s finished. Why doesn’t he move on now that he can?

I don’t know, Granna, but if he wants to hang around haunting this place, that’s his choice. She looked at the eccentric ghost like her own errant offspring. Besides, I’m used to him at this point, bless his crazy ass heart.

“Y’all have a nice day now,” said Henry. “I’ll take the basket of clean clothes to your room.”

Tipsy gave him a subtle thumbs up. Henry’s telekinetic powers definitely came in handy around the house.

He’s more helpful than Big Ayers was, said Granna, in reference to Tipsy’s famously self-centered ex-husband.

If I have to live with a man, I think I prefer a dead one. Living men drive me to drink.

Still getting the heebie-jeebies from Will?

That’s as good a way as any to describe his vibes lately.

The kids’ arguing recaptured her attention. Little Ayers had typical nine-year-old boy morning energy. He was singing a borderline inappropriate rap song he’d heard on YouTube at his father’s house. He tugged one of Olivia Grace’s curly brown pigtails while bouncing his soccer ball on his knee.

“Stop it,” said O-liv.

“Ayers, stop it. Hold onto the ball. What’s that song? I don’t like the sound of it.”

“It’s the clean version, Mom.”

He’d lately switched from Mama to Mom, reminding her that there was a lot more YouTube in her future.

Tipsy helped Mary Pratt sling her camp backpack over her shoulders. “Your bathing suit and towel are in—”

“Where’s my lunchbox, Mama?” asked Mary Pratt. “Did you put fruit snacks in there?”

“Ayers, staaaaap!” Olivia Grace was about to lose it. While she was often the most compliant member of the Collins Kids Triad, she’d been known to clobber her siblings when they pushed her.

“Ayers Lee! You’re almost ten years old, for heaven’s sake. Leave your sister alone!”

“She started it! She called me a poophead!”

“Oh lord, are we revisiting poophead? O-liv, no more poophead.” Tipsy reached for M.P.’s lunchbox. She planned to head straight to Sullivan’s Island to discuss a new painting commission after drop off, so she wore wedges and a long sundress. As a freelance artist, commissions were her most important source of income. She always dressed up to meet a potential client, but her outfit was not kid-friendly. As she handed over the pink rectangle, she stumbled on her hem and stepped on her own toe.

“Damnit!” she yelled. “Shit!”

The kids shut up mid-complaint.

“You okay, Mom?” Ayers flipped his shaggy blond hair out of his eyes.

“She cussed,” Mary Pratt whispered to Olivia Grace. Olivia Grace grimaced in acknowledgement. The two girls, as identical at seven-years old as they had been as newborns, didn’t need to talk to communicate any more than Tipsy had to speak to talk to Henry or Granna.

Tipsy looked in the hallway mirror and straightened her dress. A tall, slim woman with wavy brown hair and gray eyes stared back at her. She appeared only mildly frazzled. No parenting induced eye tick yet, but hell, it wasn’t even eight in the morning. Still plenty of time for her hair to stand on end and her mascara to run. She smiled at her reflection as if practicing for a television interview. Money was always tight in her post-divorce life, and she needed this commission.

Her phone dinged insistently as she gave Little A his water bottle. “Yes, buddies. I’m fine. I’m sorry I cursed, but y’all are driving me batty. Let’s all try to chill out, okay?”

“Sorry,” said Ayers. “Sorry, O-liv.”

“S’okay,” said Olivia Grace.

“I don’t need fruit snacks,” said Mary Pratt.

“All good, y’all. Please get in the car.”

They meandered out the front door, chatting and laughing with the abrupt conviviality of children, while Tipsy grabbed her purse. She looked at her phone.

Will Garrison Text Message (2)

It’s about time, she thought. He’d been distant the past week and hadn’t texted a good morning. She swiped across the text.

Will: Did you go to Pamella’s about the commission yet?

Tipsy: No, I told you, I have to drop off the kids first. Driving to Sullivan’s after.

The question irritated her. Will had connected her with Pamella Brewton, as he’d done carpentry work on her house. His sporadic communication of late harped on this meeting.

Tipsy: Why do you keep asking?

She stuck the phone in her purse and walked down Ms. Callie’s front steps with the July sun baking her shoulders. She checked the kids’ seatbelts and got into her old faithful Tahoe. Her phone dinged again as she buckled her belt. She tried and failed to ignore it. She couldn’t stop herself. Her arm might as well have belonged to someone else.

She swiped across Will’s next text.

Just let me know how it goes. And can I come over tonight to talk?

Tipsy’s heart sank. Will Garrison was no chatterbox. If he wanted to talk, it couldn’t be good.

Tipsy dropped off the kids—the girls to swim camp and Little Ayers to soccer camp—without sending Will any messages demanding clarification. So frustrating of him to drop a “talk” on her with no context, but she refused to question him and then wait for another vague text that would likely increase her anxiety. She drove over the Ben Sawyer Bridge, but she didn’t slow down to admire the stretch of picturesque marsh between Sullivan’s Island and Mount Pleasant. Her mind raced over the past year as she crept through Sullivan’s quaint business district, with its coffee-wielding pedestrians and stop-and-go golf cart traffic.

Will initially started acting weird around Thanksgiving. He’d cited his frustration at having a girlfriend to answer to during deer season, and she thought he was breaking up with her. She was crushed, until she realized he wasn’t really going anywhere. She gave him space and he slowly came back around. By February, with deer season over and Will not much of a duck hunter, things almost returned to normal. Tipsy understandably felt more insecure about their relationship, however, and not only because of the break up scare. As their first bucolic summer together faded behind them, frustrating trends emerged that neither Tipsy nor Will seemed able to resolve.

When she was brutally honest with herself, she knew she’d always struggle to give Will the long leash he wanted. His idea of an appropriate leash was more like an invisible fence. She never understood where the boundaries were. Tipsy didn’t think of herself as high-maintenance, but she did have expectations. She was happy for Will to spend time on the weekends hunting or fishing, as long as their relationship remained a priority. After all, she’d already been a deer stand widow in her marriage.

As for herself, she continued to wish Will would be more expressive. She thought with time and patient encouragement, he’d open up more, but she’d accepted that Will would never be one for effusive declarations of love or long, deep conversations about feelings. Tipsy had gone so long without any of that, she found herself craving it.

Maybe we’ll never be able to make each other happy, she thought.

Her emotions did an about face, as they always did. She loved so many things about Will. He was as steady as a summer day was long. He was always there to help when she needed him, whether it be connecting her with new painting clients through his work as a residential contractor or fixing her garbage disposal. Most complicating of all, their lives were as entwined as the invasive vines that crept up the walls of Ms. Callie’s house. The twins regularly had sleepovers with his two younger daughters. Her two best friends, Lindsey and Shelby, were married to his closest old friend (P.D.) and dating his closest new friend (Brian), respectively.

Lastly, and not unimportantly, they never lacked for physical chemistry. She still got the tingles when he ran his hand up her arm. Given the big messy picture, she’d decided the good outweighed the bad. She’d made the conscious decision to stick it out.

Am I settling or expecting too much? She’d never figured out the answer to that question. Granna, who married the first boy she ever kissed and lost him to bladder cancer twenty-some years later, didn’t know either.

She missed Jane, Henry’s wife. If she still haunted the house, Tipsy could talk to her about Will. Jane had always listened while offering snippets of practical advice. She was compassionate without being judgmental. Tipsy knew what Lindsey would say (“Just give him some time!”) and what Shelby would say (“I love Will but if he’s back on his bullshit, then screw him!”).

I tend to agree with Shelby, said Granna.

Tipsy pondered as she drove past Sullivan’s Island Baptist Church into the historic district known as Moultrieville. Isn’t there something in between? Between a mile long leash and screw you? Between settling for less and expecting perfection? And why am I still asking these questions?  Frustration roiled in her midsection. I’ve been divorced for going on two years. Shouldn’t my life be sorted out by now?

Granna didn’t provide an answer, which meant she didn’t have a good one for those questions, either. Tipsy followed her phone’s directions down Middle Street toward the south end of Sullivan’s. While the northern Breach Inlet side of the island had a sparse, grassy beach town feel, the southern end had a small town Steel Magnolias vibe; that is, if Chinquapin Parish had included Revolutionary War fortifications. The oldest remaining homes were mostly tiny bungalows, but a few pseudoplantation houses with traditional double-decker piazzas lingered on Officer’s Row, a section of historic military housing on I’On Avenue. Ancient live oaks had observed the island’s long, dark history, including a tragic stint as a quarantine station for enslaved Africans. Post-Civil War, an African American farming community had slowly transitioned to an exclusive seaside enclave. Brick ranchers from the 1960s with hodgepodge additions huddled beside towering contemporary board and baton mansions. As always, Sullivan’s was proudly disorganized and eccentric. The architectural version of an academic convention; an eclectic mix of sleepy tenured professors and arrogant doctoral students.

She took a few sharp turns onto Thompson Avenue near Station 14, on the Intracoastal side of the island along the marsh. She looked up as her phone announced that she had arrived at her destination.

Will had told her that Pamella Brewton— Pam-ella, with two l’s, don’t forget— was a little eccentric.

From the looks of this place, said Granna, he wasn’t telling tales.

The house was one of the island’s clapboard senior citizens. Butterflies, moths, and fat bumble bees flittered over a front yard covered in white daisies and yellow brown-eyed susans. Purple wisteria blossoms and Confederate jasmine swarmed over the trellis above the front gate. The archway looked as if it were made of flowers instead of the same rotting wood that made up the fence. A cracked flagstone path led to a two-story house on raised pilings. Five crooked steps ended in a wide, slightly lopsided porch furnished with four red rocking chairs and a Charleston green joggling board. The strangest thing about the whole place, however, was the color.

Everything from the siding to the shutters to the fence itself was painted in shades of pale blue. Given the peeling state of it all, it was an old paint job, and a stubborn one. A bit of fading here and there, but otherwise that blue paint clung to the wood like a bad case of frostbite.

Haint blue? Tipsy asked Granna.

Looks like it, but my word, someone got a mite carried away.

Tipsy nodded her agreement. Normally haint blue—the shade of pale blue common to South Carolina porch ceilings—was one of her favorite colors. This house’s color scheme reminded her of diluted toilet bowl cleaner, or mouthwash spit in a sink.

It took a moment to make sense of the darker blues and sea greens that interrupted all that used Listerine. At least ten bottle trees dotted the yard. They rose out of the flowers, iron crab legs capped with cobalt claws. A few were crafted from driftwood. Those upright arboreal skeletons reminded Tipsy of morbid Christmas trees decorated with spacy blue lights.

As she shut off the ignition, she read Will’s text again. She swallowed the lump in her throat like an egret trying to gulp down a particularly large fish. She tossed the phone onto the passenger seat and got out of the truck.

Good decision. He threw the ingredients in the pot, said Granna. Let him stew a while.

She pulled the jasmine away from the weathered gray sign on the trellis. True Blue Cottage.

The bottle trees couldn’t possibly be waving at her; they were made of metal or stiff dead wood. Still, something about the sunlight glinting off the blue glass made the whole yard seem topsy-turvy. If I didn’t know how such things worked, I’d think there were spirits moving around in there.

So silly! said Granna. Imagine trying to cram Henry Mott’s lanky behind into one of those itty bitty bottles.

Tipsy walked under the trellis and down the path. The browneyed susans bent toward one another as if they were gossiping about an unwelcome visitor. She climbed the creaky stairs, but when she got to the porch, she turned back to the yard. Sunshine on the pale blue fence created an unpleasant glare. She closed her eyes, but the shape of the bottles remained in splotchy blue streaks in the blackness. She rubbed her face.

The door swung open behind her. It banged against the exterior wall. “You must be Tipsy!”

Tipsy spun around. “Yes. Hey!” The woman before her was probably around fifty, even taller and thinner than Tipsy, with dark curly hair and bright green eyes. She wore a neon pink Bohemian tunic, green and yellow striped cropped jeans with fringe at the bottom, and a pair of sandals that wrapped halfway up her calf. Somehow, it all worked. “Pamella?”

“That’s me, honey! Pam-el-la, with two l’s!” Pamella grabbed her hand and squeezed, hard. Tipsy winced. Still, she couldn’t help but smile back at this pretty woman who dripped enthusiasm like a leaky bucket of happiness.

“Come on in. I am so beyond happy to meet you! When we spoke on the phone, I knew you were the perfect artist for this project. Will Garrison had so many nice things to say about you. So did May Penny!”

“May Penny Collins?” asked Tipsy, surprised at the mention of her former mother-in-law.

“Yes! She and Tripp were friends of my late father.” She peered over Tipsy’s shoulder. Her voice dropped to a whisper, as if the spirits in the bottles might hear her. “It’s pretty impressive to get a glowing reference from your ex-husband’s mother.”

“Yeah, well, we’ve had our moments.”

Pamella tugged her toward the threshold and then abruptly stopped. Tipsy bumped into her.

“Oh, wait. Listen, I inherited True Blue from my daddy a couple years ago. I just moved back to town from Atlanta. So good to be back in the real South.” She wiggled her shoulders. While she didn’t blink for emphasis the way Jane had, she added pizazz to words of import. Mostly in flailing hands, wagging eyebrows, and those shoulders that bounced like she danced to music only she could hear. Pamella talked as fast as a New Yorker, yet her husky voice retained its Southern twang. Like a taxicab horn crossed with a baying hound dog. “I know it looks like a fricked up version of the witch’s house from Hansel and Gretel.”

“It’s truly blue, that’s for sure.”

“Hopefully I’ll be able to change it soon, if this works out.”

“Oh, jeez. I don’t do exterior painting. Is that what—”

“Of course you don’t! You’re an artiste extraordinaire!” She dragged Tipsy into the house. True Blue had no foyer. Upon crossing the threshold, they were in the living room. A brown leather sofa and matching club chair sat around a hideous coffee table with a glass top and a base made from an old boat propeller. No carpets on the old hardwood floors. Faded beachy prints on the walls and a faint musty smell.

Pamella led her toward the kitchen in the back of the house. It was as fresh as the rest of the house was dated. White cabinets, white quartz countertops, and light wide plank wood floors courtesy of Will. An oyster shell chandelier hung over the island. All perfectly orderly, with the exception of two empty sauvignon blanc bottles and a wine glass in the sink. Pamella pointed at a bare expanse of wall behind the rustic kitchen table. “I’d like to hang it here.”

“Perfect.” Tipsy sized up the wall. “You want a painting of the front of the house with you and your father sitting on the stoop?”

“Yes. Or maybe the back. To get the marsh view? I’m not sure yet.”

“I’ll do a bunch of sketches to give you some ideas.”

“Great. I want the figures to be me as a child and him as a younger man. I never knew my mother, so it was just me and Daddy.”

“I’m sorry—”

“She ran out on us when I was a baby. No biggie.”

Tipsy’s own mother had left her, albeit as a teenager and not an infant. Even before her mother had really peaced out, Granna had basically raised Tipsy in her tiny, threadbare house in the rural upstate. Tipsy knew firsthand that maternal abandonment was kind of a biggie, but she didn’t know Pamella from Adam so she kept her mouth shut.

“I can’t believe I don’t have a photo of me and Daddy outside!” said Pamella.

“It’s okay. If you show me a couple pictures of the two of you from back then, it won’t be a problem. I’ll work y’all in however you want. Position, facial expression, whatever.”

“That’s pretty cool. Will said you could paint anything, but I didn’t know he meant, like, anything.” Cue shoulder wiggle.

Tipsy shrugged. She had no way to explain her supernaturally inspired ability to replicate life with paint.

Pamella gestured to the table. “Let’s sit. Can I get you anything to drink?” The lady herself had a large Yeti tumbler. Tipsy shook her head as she joined her.

“I hope I’ll be able to display the painting here.” Pamella sipped from her Yeti. “But if I have to sell the house at least I can take something of it with me.”

“You’re thinking of selling? The market on the island is sure hot.”

“I don’t need to sell it for the money. I need to sell it… because… you know. The you know what.”

“I do?”

“Will didn’t tell you?”

“He told me I was coming out here to talk about a painting commission.”

“You are… and we did talk about the painting. Of course I want the painting. But he didn’t mention anything about my grandmother?”

“I’m sorry?”

Pamella leaned back in her chair. “My grandmother haunts this house. Will told me you have some experience with such things.”

Tipsy about fainted. Her eyes bugged from her head like she was dead herself and someone needed to close them. No living person had ever frankly called out her talent for seeing the dead. She’d confided in exactly two people about it: Granna and Will. Yet Pamella was stating she had some experience with the paranormal in the same way she might ask to look at Tipsy’s paintings on her Instagram feed.

She tried to eke moisture out of her suddenly parched mouth. Maybe she’d misinterpreted Pamella. “Will told you I have experience with what now?”

“Ghosts, lady. He told me you had a similar problem in your own house and you dealt with it.” Pamella snapped her fingers.

“What else did he tell you?”

“Not much. Just that you’d found out why the ghosts in your house were stuck there, and then they moved on.”

“Can I have some water?” Tipsy stood and walked past the kitchen island. She opened a few cabinets, and removed a tumbler. She ran lukewarm water from the tap. She needed to guzzle this water and the cold might make her head explode. How dare Will casually tell this woman about her lifelong secret?

Pamella started chattering behind her. “So. Right! My grandmother haunts the house—my father’s mother. Ivy More Brewton. She died in 1944. Fell off the dock out back, bless her heart, when my father was only twelve. She—”

“Ma’am. Pamella. I need a minute. I came out here thinking this was a painting commission, not an invitation to conduct a s.ance.”

“I really, truly do want the painting. But if you can help me with this other problem—”

“How do you even know the house is haunted? Can you see ghosts?”

“No, but I know she’s here. Things happen in this house. Objects move. Doors open and shut. Sometimes, when she’s angry—”

“She gets angry?”

“I think so. When I was a teenager Daddy and I got in an argument about my curfew one night. He was so strict. I was kind of, like, a rebel, but like in an eighties punk rock way that wasn’t that rebellious. Like I wore leather jackets and once I dyed my hair jet black. I wanted to go to a party at— wait. Where was I? Oh, right. We were yellin’ at each other and the coffee table flipped over. Magazines went everywhere. Daddy’s bourbon all over the floor. Then the windows flat out exploded. I still have a scar, where glass hit me.” She showed Tipsy a thin line on the side of her cheek. “It was a loud argument. I suppose we were disturbing her peace.”

“How do you know it’s your grandmother?”

“Daddy couldn’t see ghosts, so he never actually laid eyes on her either. His grandmother, Ivy’s mother Alma More, somehow knew it was Ivy. Maybe she saw ghosts.”

Despite Tipsy’s hesitation, the discovery of a kindred family caught her interest. “It does run in families, but not always in a straight line. My mother has no supernatural talent, but her mother, my Granna, she did.”

“I didn’t inherit anything from Ivy besides my face, from what photos tell me.” She patted her cheek. “Anyway, after Ivy died, Alma warned Daddy about her haunting this place. Alma died long before I was born, so I never got to ask her any questions.”

“So your grandmother—”

“Meemaw. I always wanted a grandmother to like, teach me to bake and sew and stuff. Ivy was as close as I could get. So I call her Meemaw.”

“Meemaw. Okay. Pamella, listen. I’m sorry you’re dealing with this. I’m sure it must be annoying—”

“It’s gone beyond annoying. It’s gotten worse over the years. When I was a child, Meemaw rarely got angry. By my thirties, it got bad. She’d go quiet for a few days and then she’d rage around like our family hurricane. Daddy loved this place, but we couldn’t stay here as often as he would have liked. That’s why Daddy painted the whole damn place haint blue and set up all those frickin’ bottle trees. You know the old stories. Keep the spirits at bay. Trap them in bottles. Yada-yada-yada.”

Tipsy glowered, her sense of justice offended. “He wanted to trap his own mother in a bottle?”

“Is she still his mother? I don’t know anything about this stuff. I’ve tried to do research, but there are a lot of charlatans out there. I mentioned to Will that the house is haunted. He’s the first person that ever gave me any real hope something could be done about it.”

“It seems pretty quiet here now.”

“I’ve only been back for two months. I rented a townhouse downtown. I paid the kitchen contractors bonuses to get things done faster. But she’s starting to get annoyed. I can tell. Two days ago, when I arrived, all the potted plants I’d set up on the porch were turned upside down. Dirt everywhere. Yesterday, I opened the back door, and even though it’s a hundred degrees out, I felt a chill like I’d been plunked down in Antarctica.”

Tipsy filled her water glass again and sat down. “If she’s throwing things around and stuff like that, then she was a seer herself.”

“What do you mean?”

“Only ghosts who were able to see ghosts as living beings have that  kind of telekinetic power.” Tipsy thought of Henry knocking over the bookshelf in her kitchen a few days after she moved to Miss Callie’s. How afraid she’d been of his power. It sounded like this woman Ivy was just as volatile, if not more.

It’s one thing dealing with your own restless spirits, said Granna. But someone else’s…

That was enough for Tipsy. “I’m sorry. I hate that you’re having these problems, but I don’t think I can get involved.”

“Please,” said Pamella. “I seriously don’t know what else to do. My father had three houses during my childhood. His family home downtown near the Battery, a new house in Atlanta where he did business, and this cottage. The house downtown was lovely, but I never missed it when he sold it. Atlanta? Not a second thought. Sold it myself when he passed. This place, though—it’s so special. I want to make it happy and cozy again, like when I was little. I’d seriously like to live here, but I can’t if Meemaw can’t find peace. Poor woman, stuck here like a fly between a screen and glass. It’s seriously so sad.”

As much as instinct yelled at her to run out of this house, Tipsy felt the familiar burn of compassion for Pamella and her late grandmother. “I agree. The lingering dead are always sad, believe me. Maybe there’s another way to get some peace around here.” Even as she said it, Tipsy couldn’t think of any other reasonable solution.

“I don’t even know if I could sell the house. In my research I found a legal case from New York or somewhere, where someone got sued for not disclosing a haunted house! How can I sell a place and say, yeah, it needs a new roof, and my dead grandmother might hit you upside the head with a broom? So tacky. And potentially litigious.”

“I get it. But I didn’t give Will permission to tell anyone about my ghosts. It’s a private matter—”

“I’ll make it worth your while.”

“It’s not that—”

“Fifty thousand.”

“Excuse me?”

“Fifty thousand dollars.”

Tipsy about fell out. “Are you serious?”

“Let’s say three thousand for the painting. Forty-seven for the exorcism!”

Tipsy sat back in her chair. Fifty thousand dollars would be life changing for her. She no longer suffered from painter’s block and she’d been making decent money from her paintings, but she always watched her bank account like a hawk flying above a sneaky fish. Unlike other business endeavors, as an artist she was one person and she only produced so much. She refused to let the quality of her work suffer. That kind of money would finally give her a cushion. She could pay off her credit cards and start saving.

“If you’re sure, and you really have fifty thousand dollars you can just hand over—”

Pamella grinned. “Don’t you worry about that, lady. My daddy left me a lot more than a haunted cottage and a shed full of haint blue paint.”

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“Stephanie Alexander has perfected the cozy paranormal genre with the Tipsy Collins Series, and [Palmetto Rose] triumphs in every aspect.” —Readers’ Favorite

Clairvoyant single mom Tipsy Collins spent the last year focused on her kids and her artistic endeavors. No dating. No fighting with her irascible ex-husband. No ghostly shenanigans. Life is drama free, but it feels stagnant, personally and professionally.

Enter a new supernatural mystery and a new beau, both replete with potential complications. After her teenage daughter ends up in the psychiatric ward, domineering retired executive Jillian Yates hires Tipsy to rid her historic Charleston mansion of spirits. The Victorian ghost-in-residence, Thomas Bonneau, is a charmer, but Tipsy senses something hiding behind his unusual amiability. In the meantime, her unexpected romance with psychiatrist Scott Brandt—her ex-in-law—stokes her former husband’s wrath.

Tipsy struggles to trust her heart, and friends and loved ones—living and dead—offer support as old insecurities threaten to keep her moribund. In order to truly blossom, Tipsy must conquer her fear of life’s thorns.

Author Bio:

Stephanie Alexander is a writer and a family law attorney. She lives in Charleston, South Carolina, with her husband, their blended family of five children, and their miniature dachshunds, Trinket and Tipsy.

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Can a soul hover after passing on? Can a person be unaware of her own death? Journalist Christine Christian had always been a pragmatist. Not even her own persistent intuitions could compete with her commitment to logic and to empirical proof. In fact, that's what had gotten her into to trouble in the first place. Of course, that very quality had also gotten her "the story" time and again, making her an award-winning reporter, a freelancer who'd managed to write her way into a respected series of television reports acclaimed by her peers and watched by millions of dedicated viewers.

She always knew it was risky to ignore those pesky "feelings" of her. She ignored them one time too many. Or did she? Is it really too late to reverse her decision? Can she at least warn others? Come hell or high water-and it looks like she's facing down both-she's still determined to finish her story, even if there's only one person left who can hear what she has to say-investigator Senior Deputy Delmar Johnson. Will he listen? Will he allow his own thinking to exceed the bounds of reality as he's always known it? Will he help Chris prove there's more to life than what meets the eye?

Though the story stands alone, it also extends the Milford-Haven Stories, part of the Milford-Haven Saga, the critically acclaimed, best-selling, multiple-award-winning series. Based on Purl's BBC Radio drama Milford-Haven U.S.A.

About the Author
Purl, Mara: - Mara Purl, author of the national best-selling, critically acclaimed and multiple-award-winning Milford-Haven Novels, Novellas, and Novelettes, pioneered small-town fiction for women. Mara was named Fiction Author of the Year by The Authors Show, and her series has won more than 40 book awards. Mara's beloved fictitious town has been delighting audiences since 1992, when it first appeared as Milford-Haven, U.S.A.(c)-the first American radio drama ever licensed and broadcast by the BBC. The show reached an audience of 4.5 million listeners throughout the U.K. and won the Finalist Award at the 1994 New York Festivals World's Best Radio Programs. What the Heart Knows (Book one) reached #5 on Amazon's best-seller list. Where the Heart Lives (Book Two) reached #22 on Barnes & Noble's best-seller list, #7 on Amazon's Women's Fiction list and was ranked in Kobo's top-100. Mara's novellas When Hummers Dream and When Whales Watch also each also became best-sellers. Mara's novels and stories have collectively earned more than 30 literary awards. Mara is a guest-blogger for USA Today's Happy Ever After Book Blog, National Association of Baby Boomer Women, Romance Junkies, The Lady Killers, Boomer Brief, Plaid for Women, Women Speakers Association, and has co-founded two women's speaking organizations. As an actress, Mara was Darla Cook on Days Of Our Lives, and has won awards for her theatrical appearances in Mary Shelley: In Her Own Words, as well as critical acclaim for her performances in Becoming Julia Morgan and Sea Marks. She was named one of twelve Women of the Year by the Los Angeles County Commission for Women. Mara is married to Dr. Larry Norfleet and lives in Los Angeles, and in Colorado Springs. Visit Mara's website at www.MaraPurl.com. She welcomes e-mail from her readers at MaraPurl@MaraPurl.com.